By Ray Rogers
Never mind the epic journey getting there, which is a story in and of itself—complete with a motorized canoe that lost its propeller hours into the long voyage down the Gregório river in western Brazil. When Francisco Costa, the two-time CFDA award-winning designer who helmed Calvin Klein’s women’s collections from 2003 to 2016, finally arrived at the home base of the indigenous Yaminawá tribe some 12 hours later, the sun was setting over the west coast of the Amazon rainforest in his native Brazil. He was shown to his sleeping arrangements: As a guest of honor, he was offered what he deemed “the fanciest” accommodation, a hut on a raised platform over a flowing stream. Settling in for the night, he was greeted by a cacophony of buzzing insects, incessant raindrops and “millions” of croaking tree frogs underneath.
For an understated designer heralded for his impeccable clean lines and elegant restraint, it was a shock to the senses. “It was insane,” Costa, 55, reports with a quiet laugh. “It was torturous, in a sense.” Unable to sleep, he arose at 5AM and went for an exploratory stroll, only to come back to his hammock to find a tribe member zonked out in it. (He simply took refuge in another nearby hammock.)
Today, sitting in his tightly edited Park Avenue apartment over herbal tea, a neat line of Christopher Makos portraits of Warhol in drag behind him (his first big purchase after he began to work under Tom Ford at Gucci), it’s not hard to understand his initial reaction to that chaos. Yet when he left that first of three exploratory Amazon expositions, a bond with the tribe was forged, and a bounty of natural resources was found for his new clean beauty line, Costa Brazil.
After departing Calvin Klein in 2016, a return to his roots in Brazil (a country he left at age 21, without knowing a word of English, to attend FIT in New York) was a natural choice on multiple levels. “It was a search for purity,” he says, describing the impetus for the trip. After rounds of research at some of the top labs in the States and in France, “looking for that magical potion, I soon realized that I had to go to the source—I needed to find what was also authentic to me.”






