Guild Hall’s 2019 Academy of the Arts Achievement Awards Dinner

Guild Hall has named the recipients of the 34th Academy of the Arts Achievement Awards, who will be celebrated at an awards ceremony during a benefit dinner on Monday, March 11 at The Rainbow Room in New York City. This year’s honorees are Alice Aycock for Visual Arts presented by Adam Weinberg, Carter Burwell for Performing […]

Guild Hall has named the recipients of the 34th Academy of the Arts Achievement Awards, who will be celebrated at an awards ceremony during a benefit dinner on Monday, March 11 at The Rainbow Room in New York City. This year’s honorees are Alice Aycock for Visual Arts presented by Adam Weinberg, Carter Burwell for Performing Arts presented by Ethan Coen, and Bob Colacello for Literary Arts presented by Linda Yablonsky. Patti Askwith Kenner will receive the Special Award for Leadership and Philanthropy. The evening’s host is Eric Fischl and it will be emceed by Adam Green.

For ticket and journal ad questions, information, or phone purchases, please contact the Special Events Department at 631-324-0806, ext. 14 or 24. 

Carter Burwell has composed the music for a number of feature films, including Blood Simple, Raising Arizona, Miller’s Crossing, Barton Fink, Rob Roy, Fargo, The Spanish Prisoner, Gods and Monsters, Velvet Goldmine, Being John Malkovich, Before Night Falls, Adaptation, In Bruges, Twilight, True Grit, Anomalisa, Carol, Wonderstruck, and Three Billboards Outside Ebbing, Missouri.
His theater work includes the chamber opera The Celestial Alphabet Event and the Mabou Mines productions Mother and Lucia’s Chapters of Coming Forth by Day. In 2005 he developed a concert work for text and music titled Theater of the New Ear,presented in New York, London and Los Angeles. The text, by Joel and Ethan Coen and Charlie Kaufman, was performed by a dozen actors including Meryl Streep, Steve Buscemi, Philip Seymour Hoffman, Hope Davis, Peter Dinklage, and Jennifer Jason Leigh. The music was performed by the Parabola Ensemble, conducted by Burwell.
His dance compositions include the pieces The Return of Lot’s Wife, choreographed by Sara Pearson and Patrik Widrig, and RABL, choreographed by Patrice Regnier. He has performed around the world with his own ensembles as well as others, such as The Harmonic Choir.
His writing includes the essay Music at Six: Scoring the News Then and Now, published in the inaugural issue of Esopus magazine in 2003 and reprinted in Harper’s Magazine, and the essay No Country For Old Music in the 2013 Oxford Handbook of New Audiovisual Aesthetics.
While completing his B.A. at Harvard College he pursued independent study at the MIT Media Lab. After graduation, he was a senior computer scientist at Cold Spring Harbor Lab and the New York Institute of Technology. He has taught and lectured at The Sundance Institute, New York University, Columbia University, and Harvard University.
Alice Aycock has lived in New York City since 1968. Aycock received a B.A. from Douglass College and an M.A. from Hunter College. Currently she is represented by Marlborough Gallery, New York and Galerie Thomas Schulte, Berlin. She had her first solo exhibition of new sculptures with Marlborough in the fall of 2017. Her works can be found in numerous collections including the Museum of Modern Art, the Whitney Museum, the Brooklyn Museum, the Louis Vuitton Foundation, the LA County Museum, the National Gallery of Art, the Sheldon Museum of Art, Storm King Art Center, Omi International Arts Center, and the Sprengel Museum in Hanover, Germany. A traveling retrospective was organized by the Wurttembergischer Kunstverein in Stuttgart (1983) and a retrospective was held at Storm King (1990). In 2013, a retrospective of her drawings and small sculptures was exhibited at the Parrish Art Museum in Water Mill, New York coinciding with the Grey Art Gallery in New York City.
Aycock’s public sculptures can be found in many major cities in the U.S., including East River Park Pavilion at 60th Street in New York City (1995/2014); San Francisco Public Library (1996); JFK International Airport, NY (1998/2013); GSA Building, Baltimore, MD (2004); Nashville, TN (2008); and Washington Dulles International Airport (2012). In 2014, a series of seven sculptures were installed in New York City, entitled Park Avenue Paper Chase, in collaboration with Galerie Thomas Schulte, Berlin. In 2016, she completed a large-scale outdoor public artwork in Coral Gables, FL, and an entrance sculpture for the new MGM National Harbor, MD. She installed a sculpture for the lobby of 50 West, New York, NY in July 2017. A permanent large-scale installation was inaugurated at Pier 27 on the Toronto waterfront in the fall of 2017.
Bob Colacello was born in Brooklyn and raised on Long Island. He graduated Georgetown University School of Foreign Service in 1969, and Columbia University Graduate School of the Arts in 1971. By then he had been hired to run and Andy Warhol’s new magazine, Interview, a job he held for 13 years, becoming one of the artist’s closest creative collaborators. His memoir of that period, Holy Terror: Andy Warhol Up Close, has been widely acclaimed as the best book on the so-called Pope of Pop.
From 1984 to 2017, Colacello was under exclusive contract to Vanity Fair, writing profiles and investigative pieces on cultural, social, and political subjects. In 2004, he published the first of a two-volume biography of the Reagans, Ronnie and Nancy: Their Path to the White House. He is currently writing the second volume on the White House years and afterward.
In 2016, he curated his first art show at the Vito Schnabel Gallery in St. Moritz, Switzerland.


Patti Kenner is an indefatigable advocate for social causes, including arts education, women in politics, Holocaust survivors and history. In addition to serving as a long time Guild Hall trustee, Ms. Kenner is board member of the Defiant Requiem Foundation, the Museum of Jewish Heritage-A Living Memorial to the Holocaust, Carnegie Mellon University, and many others. In 2019, she created the Patti Kenner Fellowship in Arts Education at Guild Hall to help enhance educational programming for youth. Kenner was born in New York City and grew up in Harrison, NY. She graduated with a degree in French from Carnegie Mellon University and received her Master’s degree in Early Childhood Education from Columbia University Teachers College. Following 10 years of teaching, she joined her father at Campus Coach Lines, the charter bus company he founded as a student at the University of Michigan in 1928, and which he ran until he passed away recently—at 104. Kenner is now President of Campus Coach.

Kenner has served as a trustee of her alma mater Carnegie Mellon for over 25 years and just dedicated the Askwith Kenner Global Languages and Cultures Room, featuring virtual reality stations that enable students to take simulated trips around the world. Combining education and the arts, Kenner serves on the board of the University Musical Society at the University of Michigan which brings theater and music to the Ann Arbor community. She is currently co-producing a documentary film on the Swedish architect, businessman, diplomat, and humanitarian, Raoul Wallenberg, who was a student at the University of Michigan. For over 30 years, she served on the Board of the Educational Alliance, a 125-year-old social service agency on the Lower East Side. Kenner has one daughter, Julie, who lives in Aspen, Colorado, and four wonderful grandchildren. She is proud of her lengthy Board service to Guild Hall and to be part of an organization that gives back so much to the community. She dedicates her commitment to Guild Hall to the memory of former Chairman, Mickey Straus, who insisted Kenner become involved with this important institution.


Monday, March 11

6PM – 10PM


Tickets can be purchased online or by calling the Special Events Department at 631-324-0806, ext. 14 or  24.

30 Rockefeller Plaza
New York,NY10011 United States